Saturday, May 9, 2009
Sample.Modeling.The.Trumpet.v1.0.DXi.VST.RTAS-DYNAMiCS
0 komentar Diposkan oleh James Fitsgerald Eliot (James Ireng) di 6:36 PM
Not just another trumpet. The real trumpet is one of the most versatile, vivid, dynamic, flexible and expressive instruments. But it’s extremely difficult to emulate. It represents a true challenge for a virtual instrument’s developer. That’s why we chose it. And the result… well, it’s not just another trumpet, really.
This is not a library, and no additional sampler or player is needed. The Trumpet is a Kontakt Player 2 Virtual Instrument, working either standalone, or as a plugin (VST or RTAS for the PC) and VSR, RTAS or AU for Mac. It employs (and requires) state-of-the-art technology. The instrument has been developed and thoroughly tested on a PC
with IntelCore2 6600 & 2.40 Ghz, 2GB RAM, Windows XP, 2 SATA drives, a 24 bit audio card with low latency (<7 msec) Asio drivers, with a CPU load of approximately 7-12 %. It also works satisfactorily on less powerful systems. More detailed information about tested systems can be found under benchmarks. A master keyboard with some configurable MIDI controllers, pitchwheel, modwheel, and an expression pedal (or breath controller) mapped to CC11 is also required for real time playing.
The base material of the instrument consists of 237 MB of samples, chromatically performed by a professional trumpet player over a very wide dynamic range, in an anechoic environment, and recorded with state-of-the-art technology. All samples are 24 bit, are unlooped, and have a minimal duration of 10 sec. The Virtual Trumpet engine is structured according to an adaptive model, based on the performance “fingerprints” of the real trumpet. The purpose of the model was to minimize the differences between the real phrases and those played by the virtual instrument. Dynamic interpolation is carried out at 32 bit, using a development of our proprietary “harmonic alignment” technology, successfully employed for the Stradivari Violin and the Gofriller Cello.
Proprietary modal resonance IRs, innovative techniques for sample modulation, and advanced AI midi processing are used for real time construction of all articulations and morphing across dynamics, vibrato, legato, portamento, trills, vibrato-like endings, shakes and so forth.
It is well known that midi keyboards have different and uneven velocity response, and this may heavily influence the performance of a virtual instrument. To obviate this problem the instrument includes automatic detection of any velocity inhomogeneities or non-linearity emitted by the keyboard, and provides automatic remapping to any desired curve. Remapping of some midi controllers is also provided. This allows for example to remap CC7 to CC11, allowing for use of some high quality, but older keyboards which could output only CC7. Remapping of CC2 to CC11 allows for use of a breath controller, such as Yamaha BC3, provided that your keyboard supports it.
links
h**p://rapidshare.com/files/204272847/Sample.Modeling.The.Trumpet.v1.0.DXi.VST.RTAS-DYNAMiCS.part1.rar
h**p://rapidshare.com/files/204272851/Sample.Modeling.The.Trumpet.v1.0.DXi.VST.RTAS-DYNAMiCS.part2.rar
h**p://rapidshare.com/files/204287021/Sample.Modeling.The.Trumpet.v1.0.DXi.VST.RTAS-DYNAMiCS.part3.rar
h**p://rapidshare.com/files/204287024/Sample.Modeling.The.Trumpet.v1.0.DXi.VST.RTAS-DYNAMiCS.part4.rar
Password: Uploaded_by_Vej
by................................Vej.................
Monday, March 30, 2009
iZotope Ozone 4.01 RTAS/, VST, MAS, AU (Mac OSX)+[k]
0 komentar Diposkan oleh James Fitsgerald Eliot (James Ireng) di 3:15 PM
It's not finished until Ozone is on it.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. When you're ready to master, Ozone is all you need.
More info Here:
Code:
h**p://www.izotope.com/products/audio/ozone/1.) Install
2.) Open an app that used the plugin and the iZotope registration prompt will appear.
3.) Use challenge response option to register. Click next, and you'll get a challenge code.
4. Using a PPC with Tiger (OSX 10.4) and Virtual PC, or a PC or Intel Mac running Windows, start the keygen application.
5.) Type in your challenge code and it will give you the response.
6.) Back on your Mac, type in the response code, and you're all set.
Download Here:
h**p://rapidshare.com/files/192273375/outtheredudes.zip
Password: ozmosis
By...................aussie............
Label: AU (Mac OSX)+[k], audio software, iZotope Ozone 4.01 RTAS/, MAS, plugins, vst
Wednesday, March 18, 2009
iZotope Ozone 4.01 RTAS/, VST, MAS, AU (Mac OSX)+[k]
0 komentar Diposkan oleh James Fitsgerald Eliot (James Ireng) di 11:14 AM
It's not finished until Ozone is on it.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. When you're ready to master, Ozone is all you need.
More info Here:
Code:
h**p://www.izotope.com/products/audio/ozone/1.) Install
2.) Open an app that used the plugin and the iZotope registration prompt will appear.
3.) Use challenge response option to register. Click next, and you'll get a challenge code.
4. Using a PPC with Tiger (OSX 10.4) and Virtual PC, or a PC or Intel Mac running Windows, start the keygen application.
5.) Type in your challenge code and it will give you the response.
6.) Back on your Mac, type in the response code, and you're all set.
Download Here:
h**p://rapidshare.com/files/192273375/outtheredudes.zip
Password: ozmosis
By...................aussie
Label: AU (Mac OSX)+[k], audio, audio software, iZotope Ozone 4.01 RTAS/, MAS, plugins, vst